Here's one of my greatest choreographic inspiration. Pina Bausch was also what I call a great artist " ORGANIC " . Someone who knew how to work the living matter without making it sterile or automated. If there is one which I liked getting to know before she leaves she is good. I think the best known artists are often those who have worked better about their art, or those who have had more luck, but not necessarily always the most talented. And Then there are a few that are truly pure WIZARDS whose success is trivial compared to what they bring to humanity. Pina Bausch is a clear illustration, in my opinion. The English filmmaker Pedro Almodovar never makes a mistake elsewhere in the unveiling to the public in 2001 with his film "Talk to Her " where she performed her piece, a true reference type "Café Müller . The end of the movie below is also signed Pina Bausch.
It was in a sort of nod to his research and his work that I humbly defines my own research with scenic People ... as "Dance Theatre".
The fact that today some, a small minority, thankfully, are still asking the question: "The people ... is dance or theater?" Shows how his approach had to be revolutionary and shocking at the time.
His approach has always deeply affected. The border between reality and image, between experience and suggested. This thin border, This thread on which all my work on stage is built, this line we are taking thousands of times with the same feeling in your stomach each time. This line that we cross with the same attention each time to not get lost completely and remain in the field of art rather than that of naturism. This woman did this with a virtuosity and a rare talent. His death in June 2009 had been "somewhat masked" by the death of another king, one of the POPs. Yet it was a "GREAT" which started a "VERY BIG", "A QUEEN" which should certainly make the stars dance now.
Although his career was in a very academic she was not provided. It defined, itself, the roots of his art in his childhood, having grown into a bar, she had learned by observing humans, hidden under a table. The war also marked a lot and taught him the urgency of life that is felt so strongly in his work and his stage presence. Younger, the story of her childhood had really touched and even more convinced that there is no school choreographer. Or rather, there are many, but none will learn the art of Choreographing the organic. None of them teach you how to set in motion the secret son that activate the living when necessary and right. None of them will teach you to summon the VITAL that is in you, you do not learn to speak the essential language of the soul. No, No! For this, the only school that I know of is life itself!
Living foremost. LIVING C 'is already in. So Let's dance, live and celebrate it at every moment.
PINA - Dance, dance, we are lost OTHERWISE from neueroadmovies we Vimeo.
And Wim Wenders came to shoot a film lecture. In view of the trailer, it looks terribly awful this history! In 2008, he had already announced his desire to make a film about the German choreographer, then fate decided otherwise . I am more than happy to see this movie finally sees the day this year. It will be presented for the first time at the Berlinale 2011, Berlin Film Festival. Its release in France appears to be for April.
For The alchemist I'm the "next level" of dance film in 2009 was the idea and realization of the magnificent "Turn It Loose" . In light of this trailer, it looks like it'll be enough "evolutionary" this case! I look forward to the release of the Paris tower Magic: The Resurrection of Pina Bausch, 3 years after his death! 3D.
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